Showing posts with label Vampires. Show all posts
Showing posts with label Vampires. Show all posts

Thursday, 24 March 2016

Zombies or maybe Killer Hippies at Collinwood?!.


Dr Wotan's celebration of the 50th Anniversary of Dark Shadows continues with my marathon reading of the 'Marilyn Ross' Dark Shadows novels.

I just finished the fifth novel in the series The Curse of Collinwood which was first published in May 1968.

When I received this from Amazon I was immediately struck by the cover which uses the painting of Victoria Winters from the original illustrated cover of the first novel in the series Dark Shadows (see last blog post).  Superimposed on this image is now the vampire Barnabas Collins who by the time this book was published, thanks to the incredible talent of Jonathan Frid, had become the most popular element of the show.  So to get the attention of readers it makes sense to have him on the cover, fangs bared and clutching his wolves head cane.  However, readers of the book would realise quite early on that Barnabas does not appear anywhere in this story!  This is not a Dark Shadows story about vampires - but, as the back cover proclaims, the question of whether Zombies are walking at Collinwood!

At the start of the novel Victoria is upset over the recent death of Ernest Collins, the classical violinist with past wife problems from the first novel Dark Shadows.   This death causes Victoria to think that phantoms are haunting her - possibly Ernest.  Ross gives us the same cast of TV characters - Elizabeth, Roger (still swigging away at the brandy), Carolyn, David and (in very bit parts) Matt Morgan and Jo Haskell (no Julia Hoffmann presumably because no Barnabas).   We also get a really interesting new character Amos Martin who lives in a shack by the beach and holds seances (we know how much the Collins family love them) with the help of his dead mother.  He is appropriately called 'Mad Martin'.  Ross also develops the relationship, just hinted at towards the end of the first book, with Victoria and the mysterious Burke Devlin.

The two strands of the story that Ross introduces through Victoria and Burke set up the suspense of the story.  First, Victoria and Burke learn from Amos Martin the story of Derek and Esther Collins - ancestors of the Collins family who lived in the 1850's.  Amos calls Derek 'a dark-souled villain' who got involved with the slave trade and made his wife Esther, on board the ship with him, witness the suffering and degradation of his captives until 'she was consumed with a hatred for him that exceeded any lover for him she ever knew.'  Esther's hatred grows until one night on the ship off Barbados (not Martinique) she shoots Derek dead.  But that's not enough for old Esther.  She elicits the help of a voodoo witch doctor (well they are close to Barbados) to prepare her husband's body so it would live again but not as a human - but as a zombie, one of the walking dead, condemned to walk the earth as a mindless slave (a nice irony!).  And because she still kind of fancies old Derek she then shoots herself and is turned into a zombie as well - so she could join him in zombie bliss when he returned from the dead (now that is devotion - a somewhat twisted version of the Angelique/Barnabas story).



Both their bodies are placed in 'elaborate mahogany coffins' and shipped back to Collinwood where they are placed in a mausoleum (another Collins mausoleum).  The prophecy is they will stay in their coffins unless a shaft of moonlight strikes their coffins.  Well no surprise that curiosity gets the better of Vicki and Burke and they go to the mausoleum and through a series of adventures the moon-light strikes their coffins.   Derek and Esther are seemingly released and start their murderous rampage through Collinsport.

But here Ross does something that I thought was clever.  He creates a counter-story of two hippie types who are reported as breaking out of jail and are on the run.  Sergeant Sturdy comes to Collinwood and lets the family know that the big lumberjack Tim Mooney and his girl friend Nora Sonier have broken out of jail and are heading to Collinsport and thus could very well be the cause of the strange man and woman ravaging the country-side (which Victoria thinks are the released Derek and Esther).  The description of Mooney is quite interesting and I think here Ross based on this dialogue is drawing on contemporary news and media from the time the story was written:

'They say the girl is a looker,' Roger went on taunting his sister, 'She's one of the hippie crowd with long yellow hair and a great figure.' 

Carolyn nodded 'I read that in the paper.  And Mooney wears his hair long. Like those poets in the coffee houses. [Remember Carolyn has had experience of this with her fling with Buzz!] 

'Like the LSD crowd that goes around killing innocent people.' Elizabeth reproved her daughter, 'Mooney is a kind of degenerate revered by the foolish youngsters in the Village and then in Cambridge, when he moved to the Boston area.  They called him the lumberjack troubadour because he worked in a lumber camp for a few months and plays a guitar.  Don't forget he killed someone and probably won't hesitate to kill again.'  (63) 

Elizabeth's response is quite interesting as she gets very specific.  I would suggest Ross might be drawing upon a real-world person here who around this time also played a guitar and was revered by foolish youngsters who joined his 'family' - a 'family' that in August 1969 would become infamous for murdering innocent people in Hollywood in the Tate/La Bianca Murders.

Did Ross know something (perhaps in the papers) about Charles  Manson and his 'Family' which influenced his characterisation of Mooney?  The description seems very close and Manson's 'Family' was known for heavy drug use (at their trial, depicted in the 1974 book Helter-Skelter by prosecuting attorney Vincent Bugliosi, one of the family members Linda Kasabian said she took LSD 150 times.

So Ross juxtaposes the possible threat of supernatural zombies (Derek and Esther Collins) with a real-life version of late 1960 'monsters' possibly drawn from the media of the time.  And for the rest of the story this interplay between these two possible solutions to the horrors and murders that come to Collinwood ratchet up the tension until the final page-turning conclusion....and the finale with Victoria Winters in Burke Devlin's arms (with that ill-fated flight to Brazil far in the future).

A good cracking and interestingly nuanced story that moves aways from the main television story-line of the time to create an alternative story that adds to the Dark Shadows mythos.

Now for Vampires!  Time to go into that other masoleum, open the coffin and meet the novelised version of Barnabas Collins in novel number 6 - Barnabas Collins!

My 50th Anniversary Dark Shadows journey continues!








Monday, 21 September 2015

Exploring The Dark Shadows Mythos CFP




Exploring The Dark Shadows Mythos
                    A Call for Papers                            

On June 27 1966 American television audiences encountered a unique daytime gothic soap-opera called Dark Shadows.  From the dream vision of a woman running on a beach, TV producer Dan Curtis and a dedicated team of writers and a stellar company of actors and actresses (many playing multiple roles in various time periods) created one of the most complex and pioneering liminal worlds for a television series which was focused on Collinwood – the great house on the hill and hosted ghosts, witches, vampires, werewolves and zombies. 

In its over 1200 daily episodes, Dark Shadows drew from some of the greatest tropes of horror, fantasy and weird literature as well as related science-fiction themes especially time travel and the inter-dimensions of parallel time.  The Dark Shadows mythos continues to be developed through movies, novels (including several written by original cast members such as Lara Parker), comic books, several other television reboots, games, fan fiction and most recently a continuing series of audio dramas.

In 2016 Dark Shadows will celebrate its 50th anniversary and in honour of this I would like to produce and [self] publish a volume of academic and reflective essays exploring the world of Dark Shadows.  The broad topics these papers could explore are:

·       The sources and literary tropes that were reimagined and repurposed for Dark Shadows story-lnes.
·       Barnabas Collins' place in the development of the vampire in modern horror texts.
·       The unique use of time-travel and parallel time in the narrative of Dark Shadows.
·       The Mythos of Dark Shadows and the role of trans-medial world-building through various texts.
·       The fan reception of Dark Shadows including the muli-generational interest in the show.
·       The fan-fiction of Dark Shadows and what this has added to the Dark Shadows mythos.

These are just some ideas that can be explored in this volume.

Paper Abstracts should be submitted by 1 December 2015 
Finished Papers by: 1 June 2016

Contact: Dr. Andrew Higgins



Sunday, 1 February 2009

Dark Shadows Reborn!!!


As a visitor to Wotan's Musings you may have noticed that Wotan has rather eclectic favs - in the TV front there is one that surpasses all others and that is Wotan's love of the late 60's - early 70's TV Gothic series - Dark Shadows.

For those of you unfamiliar with Dark Shadows here is a bit of a sample -




It was the brain child of TV Director Dan Curtis who had a dream of a woman being invited to be a governess in a strange New England mansion - this was developed into a story called "Shadows on the Wall" and then a daily TV "soap opera" that was broadcast in America on ABC at 4pm (Wotan vaguely remembers coming home from school and watching the original last couple of seasons). From its start (and you can enjoy all 1200+ episodes on DVD) there was a Gothic Jane Eyre feel to it -- an orphaned woman named Victoria Winters comes is invited to be governess to a rich New England Family called - The Collinses - who live in a large mansion high a top a hill called Collinwood. The matriarch of the house - Elizabeth Collins Stoddard has not left the mansion for 18 years and there may be a connection between her and the new governess Victoria (although interestingly this plot line in never really resolved). In its first year there was intrigue, a gothic feel and even the hint of a ghost - but when daytime ratings began to dip Dan Curtis has a masterstroke - lets go for it on the supernatural front - and after introducing a creature called the Phoenix who is reborn from the flames every 100 years - he went all out and introduced probably one of the most famous vampires of all time (after that other big one and Angel and long before the current Twilight) - Barnabas Collins who is released from his 200 year imprisonment by the tomb robber - Willie Loomis.



This started a cycle of stories that cover every much horror genre including the reluctant vampire, the werewolf, HP Lovecraft, Frankenstein and even Shirley Jackson's The Lottery. To tell the complete tale of the Collins family - Curtis employed time travel (with the same actors playing different parts) and even parallel time (the same time but based on you making different choices) - the budget was small and the camera never was stopped - the special effects for their time were quite creative and up to 1973 Dark Shadows was a unique show that launched the careers of such actors as Kate Jackson, David Selby and Laura Parker (as well as having such notable talent as Grayson Hall, Joan Bennett and Jonathan Frid as the tortured Barnabas. Two films followed, a 1990 revival series which re-told the Barnabas story with Ben Cross as the Vampire and now we hear that Johnny Depp, a great fan of the show, is working with Tim Burton on a movie version!!

Like Barnabas and Quentin this show does not die and over the years it has spawned books by Marilyn Ross (with such inventive titles as Barnabas, Quentin and the Scorpio Curse) as well as another series by Laura Parker - who played the wicked witch of Dark Shadows - Angelique, merchandise (including several copies of Barnabas's silver heads wolfs cane - one of which Wotan has in his living room). Web resource abound and there is even a wiki about Dark Shadows -





And now probably one of the most exciting occurrences as series of audio dramas featuring the original cast members with new stories and dramatic readings. These are being produced by Big Finish and Wotan has just finished listening to the first year of the series and several of the dramatic recordings - and there is a promise of more to come. There is a great blog by Darren Gross who is developing these shows and also working on the restoration of the second Dark Shadows movie - Night of Dark Shadows - which was edited extensively when it was released in the cinema in the 70;s.

There has never been, and I fear never will be again, such an original story like Dark Shadows and luckily for us there is all group of people who grew up with the show that now want it to stay alive and grow - and Wotan enjoys his many hours sitting in drawing room of Collinwood and hearing the wind come across Widows Hill and this haunting theme........

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